NORBERT SCHWONTKOWSKI
"Lachen im Park" , 2005
oil paint on canvas
"Wie die Herde zusammenhalten - wie den Tieren die Wolle nehmen" , 2001
oil paint on canvas
"Christof III" , 2006
oil paint on canvas
"Trust" , 2006
"alte Musik" , 2006
Künstler K.A.S.T.L.E.
November 29, 2006
"Lachen im Park" , 2005
oil paint on canvas
"Wie die Herde zusammenhalten - wie den Tieren die Wolle nehmen" , 2001
oil paint on canvas
"Christof III" , 2006
oil paint on canvas
"Trust" , 2006
"alte Musik" , 2006
November 28, 2006
ALFRED JENSEN
Mr. Faraday's Diagram, 1975
oil on canvas, 35" x 70"
Family Portrait, 1975
oil on canvas, 86" x 102"
Research in a Growth Hormone, 1978
oil on canvas, 114" x 96"
Remote Sensing, 1979
oil on canvas, 86" x 96"
More about this:
http://www.alfredjensen.com
November 25, 2006
November 24, 2006
November 23, 2006
CAMERON JAMIE
Spook House, 2003
Super-8 film transferred to 35mm film and DVD (black and white, sound) Soundtrack by The Melvins
Maps and Composite Actions 2001-03
Maps and Composite Actions 2001-03
Shotgun Blues,
2005
Ink on paper, wooden panel
50 x 65 cm
The Executioner,
2005
Ink on paper, wooden panel
50 x 65 cm
Four sketches for Krampus Masks,
2004
Ink on fiber paper, wooden panel
50 x 65 cm
"Three of Cameron Jamie's films: BB, which records suburban LA teenagers creating their own backyard wrestling events; SPOOK HOUSE, about Halloween in the Detroit area, which offers an analysis of pathological expressions of violence, death and horror at the margins of American culture; and KRANKY KLAUS, a film that is about the Krampus (hairy beasts with horns that give naughty children what they deserve) part of the celebrations for St. Nicholas’s day in Salzburg’s Gastein Valley. Cameron Jamie’s work - a blend of video, sound, performance, photography, and drawing- deals with European and American history and culture, and investigates their violent suburban rituals. Jamie’s sharp critical gaze often focuses on dysfunctional manifestations and practices in popular culture and their impact on everyday life and the psyche. His intricate work has its background in the artist’s own folklore and mythologies. Using the suburban culture as a case study, he analyzes how structures of mythology are shaped and shared and the extent to which they participate in the creation of individuals’ fictional worlds and fictional selves."
